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He has become the major supplier of kanteles to North Americans in the last fifteen years. He builds traditional Finnish kanteles in a small shop in the woods a few miles north of Lake Superior near Duluth, Minnesota. He strives to build quality instruments that will bring joy to the players and listeners. He's not a factory - he approaches making the instruments as a craft and an art, not a "product". The goal of his work is to build instruments that he enjoys making and that a buyer will enjoy playing. Previous to making Finnish folk music instruments, Gerry was the editor of The Finnish American Reporter, a national publication for North Americans of Finnish descent about Finnish and Finnish American culture. He is currently the editor of New World Finn, a quarterly journal exploring Finnish culture (www.newworldfinn.com). Gerry has also been a woodworker for over thirty years - he was a builder and remodeler of homes, and a cabinetmaker. His love of Finnish culture and its music, and his woodworking skills have come together in the building of kanteles. planing the wood stringing the instrument In the winter of 1998, as a recipient of a Finlandia Foundation Grant, Gerry traveled within Finland and immersed himself in its "kantele culture". There he spent time with a master instrument maker, Rauno Nieminen, in Ikaalinen, Finland, and with other kantele builders in Veteli and Leppävirta. He also visited with players and teachers in order to better understand the needs of kantele musicians. As of 2009, over 1900 of his instruments are in the hands of musicians throughout the United States and Canada, Japan, Australia, and Europe. His work has been exposed to the public in a short documentary produced by WDSE-TV of Duluth, Minnesota for their Venture North program (May 1996), other local television stations, Minnesota Public Radio, and in numerous newpaper and magazine articles. In 1997 he was named a Minnesota Folk Artist and again in 1999 he was cited by the Minnesota State Arts Board for "preserving the time-honored tradition of creating Finnish folk instruments". In 2008, he was named an honorary member of Finland's national Kantele Association. Gerry Luoma Henkel More endorsements of Gerry's kanteles "During the past two years I have ordered all the kanteles for my students at San Diego State University and the University of San Diego from Gerry. I have also chosen to use Gerry's kanteles in my performances because the sound of his instruments is excellent." - Merja Soria, graduate of the Sibelius Academy in Helsinki Finland; instructor in music at San Diego University, and the University of San Diego; performer (vocals, accordians, kanteles) throughout the US and Finland. "I have examined Gerry's kanteles, and I have found them to be well-built, resonant and visually pleasing." - Oren Tikkanen, producer of award-winning (American Folklife Center at the Library of Congress) recordings of Finnish American music; writer about Finnish American music; and popular performer of traditional Finnish American and Finnish music. "I'm so impressed with what you have done, where you've taken your gifts and magic. I mean it - for you, as also do I, bring an American approach and interpretation to what we do. You have that liberal vision in how you see your instruments. And that is unique and ultra-hip." - Diane Jarvi, musician, songwriter and kantele player, in a letter to Gerry "To my knowledge, Henkel is the only professional kantele builder in North America. He specializes in the oldest form of the kantele, those carved from a single piece of wood. His carved kanteles are excellent." - Dr. Carl Rahkonen, Associate Professor, Indiana University of Pennsylvania, Department of Music, and author of The Kantele Traditions of Finland

You can visit Gerry Henkel website and store at KANTELE.COM

Above: 5 and 10 string Kantele made by Gerry Henkel. In his site you can read about the story of this finnish instrument

Watch Gerry playing one of his kanteles

I have myself a 10 strings kantele made by Gerry Henkel, and it soothes my spirit you can´t imagine how "heavenly" souding such apparently simple instrument can be.

Ron Ewing  has built and played about 1700 dulcimers since 1970 to date and can offer his customers the benefit of considerable experience as both a craftsman and a musician.he does build fine, attractive instruments at reasonable prices, in a variety of styles, and use only solid domestic and imported woods, selected for their tonal quality, beauty, and compatibility.  Ron  studied engineering and English Lit in college before he got the bug to build and play upon hearing a recording of the wonderful Richard and Mimi Farina.  he apprenticed with Chet Hines - a retired civilian engineer by trade, and a builder and player of some renown in his later years.  He grew up in southern Ohio and learned the craft from his grandfather. After a couple of years he took over production and built about 200 dulcimers for Chet before heading off on his own to study guitar building and develop my own mix of the traditional and modern. 

As a musician he  has performed and taught throughout the country and is particularly known for his lively renditions of traditional Irish, Appalachian, and Euro dance tunes.  He has  guested on several recordings, including Jerry Rockwell's wonderful, "The Blackbird and the Beggarman." Most recently, I can be found playing the Irish slip jig "Drops of Brandy" with Jerry Rockwell and Leo Kretzner on "Dulcimer Celebrations" -  a collection of live performances from Mountain Dulcimer Week at Western Carolina University.